The Road

So, I was thinking about energy saving bulbs. Then I took a shower. After shower, I paced slowly to the kitchen, turned the tap and filled a bottle of water. At that moment, I was thinking about my parents.
Menu. Subtitles. Play.
For a minute or two I was wondering if the audio was ‘on’. This movie starts with no sound. Well, you’d expect a score – a background score of sorts. Well, score one! No score. So I sit in silent concentration. I moved from my bed, about 7 feet away – to my desk chair, about a feet away from the screen on which The Road plays. I’m glad I did that; and did that quite early in the show.
So the story unfolds. The movie… is intimate. Fearful. Captivating. Hopeful. Redemptive.
Reflective. Urgent. Profound.
Posted: July 27th, 2010
at 6:49am by Kester
Tagged with Existentialism, father, Life, Movie, post-apocalyptic, son
Categories: Environment, Philosophy, Soliloquy
Comments: No comments
Departures

Can’t watch this enough. If I have you describe how I feel about the movie, I’ll bring you to a garden, or a beach or a river… And I’ll hand you a stone.
http://en.wikipedia.org/wiki/Departures_(film)
Posted: May 7th, 2010
at 6:12am by Kester
Tagged with death, family, inspiration, japanese, Life, lost, Love, Movie
Categories: Philosophy, Soliloquy
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Japanese Perfection
Watched The Ramen Girl again today – in it’s entirety. The last I watched, I probably missed the beginning scenes. Anyway, it seems more evident, that there is something uniquely tranquil and mystical about the Japanese way of doing things. Maybe its got something to do with the tension of environments they are forced into – the hustle and bustle of urban modernity meets/versus solitary nature, green, zen, soul.
Spoke to a friend or two about my fascination with Hakagure – The Art of the Samurai. The artistry is oh so… meaningful. The mind wonders about this pursuit of perfection = pursuit of meaning to life.
I am also reminded of Departures – the movie. Meaning of life found, in the ceremonial preparation of the dead – for those that are mourning.
Then some days earlier, I watched Paris, Je T’aime – this film, is about finding love.
Profound, all these films are.
Posted: December 2nd, 2009
at 6:34am by Kester
Tagged with Life, Meaning, Mornings, Movie
Categories: Environment, Philosophy, Soliloquy
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Waking Life
So I stepped into this Neo world, whose skin is mist covering iridescent pearl.
I catch a glimpse of this shimmery thing, the star hanging on this rear-view mirror;
reminiscent of Orion’s constellation just moments earlier;
when the sky was clear and clouds not seen, I stare in admiration as stars do inspire.
Watched Waking Life for the second time, on the second day. Again, I feel so much awe. Life is… now. It is also eternal. It is also momentary. Time, is like an elastic ozone of permissive life – of continuous opportunities to exasperate and extricate an affirmative ‘yes’ to the question of being ‘one’ – with eternity, of finding immortality.
The most profound, verbose, discourse of existential psychology and the memento of dreams; capturing in lucid transcendence – the human attempt to understand and tame it.
Posted: November 11th, 2009
at 5:57am by Kester
Tagged with Dreams, Existentialism, God, Mornings, Movie, Philosophy, Stars, Waking Life
Categories: Environment, Philosophy, Soliloquy
Comments: 2 comments
The Man Dies
The names of the actors are rolling-in but the lights are still dimmed. Usually by now they would have it all turned on, but I really didn’t want them to. So I sat up straight and leaned forward, elbows on the backrest of the seat in front of me, chin on them, and eyes glued to the silver screen – trying to appreciate what I just watched for the last two hours.
“The Time Traveler’s Wife“, it reads. A few seconds after – therein, the credits of movie makers start to appear. Then the lights come on. By now I was seating back trying to truly grasp all that was – the movie.
It is good! It’s not just a love story, I feel. It’s about time, love, and loss. It’s about the need to live the now – for later. And time, being transient, ephemeral and fleeting – is merciless. And we, it’s occupants, are bound. Therefore, we – time-bound-beings, need to make full use of it’s linear ‘dimension-ality’. Our occupation in this very moment, counts for the very essence of existence. Even so, time is also fateful. Things happen for a reason. And one day, I’ll find out why. Also I belief divinity sees time in multi-dimensions, hence having full knowledge of the past, present and future – and IS at it’s helm. So the probing question for self analysis is – am I existing now, if I choose to not to anything now? Anything substantial that is. I suppose there must be some sort of philosophical branch that wrecks-brains about these kinds of questions. The existentialists maybe? We all have a choice nevertheless; to be & live in the now/there. To dasein. I hope I choose to live the now – for the right kinda tomorrow. Choose right, do right and not be needing to wish I could correct my could-have-been-right last nights.
Anyway… Audrey Niffenegger and Robert Schwentke, author and director of the film respectively, deserves kudos. I wish I could write, and tell stories and record them in motion and light and pass them on so vividly and brilliantly as they do. Ahh. Art. I love thee.
So while gathering my thoughts, I recall watching a few other films, nights before and I’m starting to see a striking connection about these films. Today I watched The Time Traveler’s Wife. A couple of days back, I watched Namesake. Several days before that I watched Romeo & Juliet (the Baz Luhrmann adaptation). And then a while back, I remember watching Partition (the one with Kristin Kreuk). Common denominating factor; the protagonist husband, dies. Fortunately, between Romeo & Juliet and Namesake, I watched City of Angels – this time, well, unfortunately – the lady dies. Yet I love all of these movies. It teaches you something about life. I learn from The Time Traveler’s Wife – that, well, maybe you’ll one day get propose to a girl who’ll know how to joke and say ‘no’ just to express freewill but not really mean it. And that’s dandy
In Romeo & Juliet, one wishes to have poetry in life – in some sort of nu-Shakespearean kinda way. And not to swear on the moons and the stars, but to ’swear’ on thy self for I art my fair-lady’s imagery of god (heavy paraphrasing here). In Partition, one wishes that the world unites in one-ness and seeks peace, in all matters of culture, religion and what-nots. Let bygones be bygones, and let not a foolish family feud be one that is passed on to generations to come. The latter resounds true for Romeo and Juliet as well. It is sad that where humanity fails, there comes saving grace in the form of a story of heaven finding means to kill discord’s loves with lost. And in City of Angels – one deeply appreciates the palatable texture of eating a pear.
I also like the end titles of The Time Traveler’s Wife. It is by a mnemonically apt person named Scarlet Letters. Such simple fusing of fine music along with a kaleidoscopic bokeh of lights – lovely.
So leave me dear blog-post, to my bewilderment and I bid thee good morrow. For it’s fast approaching dawn and I am intent and making today/tonight/tomorrow count for time-eternal post-haste.
Next thing to read, Odysseus (by Homer) – it’s in the iPhone waiting to be read. The story’s similar to this movie’s love/loss/time theme sorta thingy. But it’ll have to wait, my bookish retreat is in the form of Alice in Wonderland for now.
Posted: November 6th, 2009
at 6:22am by Kester
Tagged with City of Angels, Dasein, Existentialism, Mornings, Movie, Namesake, Partition, Romeo + Juliet, The Time Traveler's Wife, Time
Categories: Philosophy, Soliloquy
Comments: No comments





